I had a big realization today regarding technique that I feel will help a lot of artists out there who may feel lost with technique. I've written about this before, but I realized again that if you think there's a right way (and wrong way) to do something then you're doing it wrong. By this I mean that there is no right way and wrong way to do something and you can throw all those ideas away. Don't limit yourself in your thoughts. Give yourself freedom to experiment with your colors, your paint thickness, brush selection and anything else.
That being said, I did want to document my current oil painting palette as a way to track my progress. Below is my current full palette, but I definitely don't use all these colors in every painting, but it's a good starting place for anyone looking for a broad range to choose from.
Current oil painting palette as of 7/22/19
1. Silver White (Zinc + Flake)
2. Cadmium Lemon
3. Cadmium Yellow Light
4. Cadmium Yellow Medium
5. Yellow Ochre
6. Cadmium Orange
7. Cadmium Red Light
8. Cadmium Red Medium
9. Alizarin Crimson
10. Venetian Red
11. Burnt Sienna
12. Oxide of Chromium Green (Winsor & Newton)
13. Viridian Green
14. Cobalt Blue
15. Ultramarine Blue
16. Prussian Blue
17. Cobalt Violet
18. Raw Umber
19. Burnt Umber
20. Ivory Black
Had a super fun day with one of my best friends, Asem Ahmed, painting at the Ramapo Reservation. I titled the painting, "Broad View of Reflections, Ramapo Reservation" because I tried to capture a broad view of the reflections that I saw. I had always wanted to do a painting like this and I'm very proud of the way it turned out.
All I can say is WOW with the craftsmanship and quality of these handmade books by Rich Troncone. Man, I love this guy is all I can say. I wanted a book that I could use as a journal and write in it with my fountain pen. I've used Moleskines in the past, but the problem is that my fountain pen bleeds through the pages of a moleskine so I reached out to my friend Rich and he created these masterpieces for me. Check out his website: http://www.richtroncone.com
Much love to Rich Troncone, glad to call him a friend.
I've been painting a lot from life and every time I do, I realize how important it is to do so. I had a correspondence some time ago with the portrait painter, Everett Raymond Kinstler, and he urged me to always paint from life (ERK is a wonderful man and I'm truly appreciative all of his kind words and encouragement). At the time, I had been working from photos for commissions and my work was lacking a lot of vitality, it felt wooden and stiff. There's a magic quality to work that's done from life and I'll only be working from life from here on out.
To give a quick update about Novus Atelier, I'm very excited to begin classes on June 24th. I'm currently gathering supplies for still life paintings, easels and getting some work ready to bring over to the space. I'm also very proud to say that our atelier is going to be a community partner with Patch.com (a community news site). It's very cool to see my hard work paying off.
Stay tuned for more art and more updates!