A list of a few principles of art that I want to remember for the future:
-Painting and drawing: Broad to narrow, big picture to detail
-Presence in the moment of creation
-Don't worry too much about technique
-Just draw or paint and enjoy
-Do my best
-It's difficult sometimes but that's okay
-Let the painting tell me what should be thickly painted and what should be thinly painted.
-Be myself and keep practicing <3

  I think I'm about done with this current commission and I'm really happy with the way it turned out.  I'm going to look over it one last time, but I'm happy with the way it looks.  I was really inspired by Velazquez for this portrait and worked mostly wet-in-wet to finish it part by part.  
​  I've been developing my recent alla prima painting ideas and I'm toying with the idea of writing a short ebook.  This is a new idea, but it's something that I would love to do.  As readers of my blog will know, I'm a huge fan of John Singer Sargent, Joaquin Sorolla and the original godfather of it all, Diego Velazquez.  I was fortunate to travel to Madrid last year where I absorbed a lot of information about these amazing painters.  For the book, I would inject a lot of my own ideas, but it would also contain a lot of information about alla prima painters of the past.  
  Have a great weekend everyone!

  First thing I want to start off with is that I had a super transformative weekend that I will share more information about very soon!  It really requires its own blog post so stay tuned for that.
  With all these good feelings, I started day 1 of painting a portrait commission, which is quite a portrait to undertake.  It's a portrait of 4 very regal looking dogs which is the most dogs I've painted in a single painting; I sort of feel like I'm painting The Night Watch of dogs haha.  (Of course I'm joking with that).  So I've spent some solid time planning it out and sketching it and I feel very good about its beginning.
 I've always felt that the painters I admire the most were the most direct painters.  There's no "magic" or smoke and mirrors of technique to rely on.  It's just straight there, nothing else.  Maybe I've reached this point because I have indeed tried many layered techniques of painting.  But the problem always was that I felt like I was paying more attention to the  technique than the subject matter.
​  The technique is merely a way to convey your image and, for me, I want the viewer to feel the direct presence and realism of these dogs or whatever I'm painting.  I know there's an infinite number of paths to take which can make it confusing, but I think the best way to paint is just be completely in the moment and almost listen for guidance.  Think of the guidance coming from something beyond yourself.  Listen for the muse.
 Have  great week everyone.

  I am always honored to create custom pet portraits for my patrons and the way I do it is often directly from photo references.  There's a ton of debate over the use of photo references and I believe it's a balance to find what works for you as an artist.  To me, photography is a tool that artists should use but not rely on (as they have for well over 100 years now).  The other factor is that it's important to always paint from life as much as possible to bolster your photo references.
​  The other thing to remember is that a painting is not a photograph and shouldn't be compared as art forms.  There are a lot of photo-realistic paintings, which to me are technically very impressive, but often have a lack of heart in them.  I never want to compete with a photo in terms of accuracy (because I'll always lose haha) but I do believe I can get more feeling and heart in my paintings.
​  There are many techniques, processes and pathways to create a painting and however you get there is a special journey and you should use whatever tools you have access to, but having a nice photo reference doesn't mean you'll end up with a nice painting..