I finished up this memorial portrait and I'm very excited to give it to my patron.  The portrait progressed very smoothly and I really enjoyed working on it.  I really tried my best to capture a feeling of life and spirit in this piece.  
​  As a side note on technique, I had some thoughts about oiling out, which is the application of a thin layer of oil before you begin to paint to bring out sunken colors.  I recently read that oiling out could provide some problems for the longevity of your painting; the problems could arise from the fact that oil yellows with age and there's no way of removing old oil, unlike an old varnish.  I'm always concerned about the longevity of my paintings and thus, I will not be oiling out in the future.  I used to think it was necessary in order to ease my paint strokes, but that isn't true anyway.  Painting is an endless mystery.

  Have a nice evening everyone--

  I worked today for a while and I'm having moments where I'm really happy with it and then other moments where I don't like it; that happens a lot during the painting process.  I didn't oil out today because it wasn't completely dry from last time, but I have to remember to oil out for next time to ease the painting process.
​  Have a great weekend everyone!

  This painting is going extremely well and I'm so happy that I restarted and am using my own style.  I also set up my palette of colors based on the colors I like using.  I don't like having a very complicated palette with too many colors because it makes painting feel like a chore.  Painting should be fun (most of the time).  Now I need to let this painting dry so I can oil out and paint again.
  Here's my current color palette:
-Silver White
-Naples Yellow
-Cadmium Yellow Light
-Chrome Yellow Deep
-Yellow Ochre
-Vermillion
-Chinese Vermillion
-Alizarin Crimson
-Brun Rouge
-Burnt Sienna
-Emerald Green (Veronese)
-Viridian
-Cobalt Blue
-Ultramarine Blue
-Cobalt Violet
-Raw Umber
-Burnt Umber
-Van Dyke Brown
-Ivory Black

  Just had a sudden realization that I was "counting the strokes" with my recent commission.  I was focusing on technique rather than just trying to paint.  As a result of this, I'm going back to the way I used to paint early on in my career.  My own technique has developed out of just purely wanting to paint; not thinking too much about the "how".
 Below, are two underpaintings that are about 10 years apart.  The one on the left is a self portrait from around 2010 and the one on the right is my new portrait commission that I restarted tonight.  I'm going back to myself and my own way of doing things.