I recorded a class demo from my watercolor class.  Enjoy!

  Oil painting mediums are a fascinating part of oil painting.  There's a lot of history involved and a wide variety to choose from; it can get a little confusing when you're trying to figure out what mediums to use.  I've tried a wide variety of mediums and I like to think of it like a fun experiment.  If you're trying to find information about various mediums then check out this article from Natural Pigments.  I'm a brand ambassador with Natural Pigments because they genuinely have the best products and the most comprehensive information available on their site.

  It's always a fun challenge to paint en plein air and I always end up learning something from it.  It forces me to paint quickly and to make the best of the situation. 
  If you're using watercolor en plein air in cold weather, remember that your watercolor can freeze on you, so you may be better off with oils.  It's also tough because the watercolor doesn't fully dry on the paper so your watercolor can bloom easily.  Today was sunny and the ambient temperature was above freezing so I decided to use watercolor.  I have done watercolors in the snow before, but I wanted to do a larger piece that had a nice sense of space to it.  
  The reason I love painting is because it helps me to make memories and document adventures.  It almost doesn't how the painting turns out because I learned something new and I had fun.  I think I'll do some more snow scenes since we'll have this snow for a while. 

  I'm very happy to share a review of these two books by Everett Raymond Kinstler.  Although I never got to meet Mr. Kinstler in person, I had the privilege of sharing email correspondences with him over the course of a few years.  His emails were always filled with encouragement and thoughtful critiques of my work.
  For Christmas this year, I received both of these books as presents.  I'll start by discussing Painting Portraits, published by Watson-Guptill in 1987.  The book is 144 pages and has high quality illustrations of Mr. Kinstler's work.  I was very excited to read this book and it did not disappoint.  For anyone who's interested in portraiture, I now consider this book a must-read.  What I like about it is that it has really practical information as well as information about mindsets and philosophies of making art.  There's also information about Mr. Kinstler's history and the way he started doing portraits, which was fascinating.
    Mr. Kinstler's process and materials are also covered, which prompted me to add and remove a few colors from my own palette.
​  It doesn't feel like reading a typical art instruction book because it has a nice narrative flow to it.  I really can't find any faults with this book and will enjoy re-reading it at other points in my life.  
  Painting Faces, Figures and Landscapes, was also published by Watson-Guptill, but in 1981.  It's 143 pages and also has faithful illustrations.  I would recommend this book for anyone who is more of a fan of Mr. Kinstler's work and more interested in his personal history.  Painting Faces, Figures and Landscapes includes technical information, including demonstrations and his materials list, but Painting Portraits has more information about the practical nuts and bolts of painting.
  Since I'm also a watercolor painter myself, I enjoyed Painting Faces, Figures and Landscapes because it shows Mr. Kinstler's watercolor and drawing methods, which are not included in Painting Portraits.  If you're interested in watercolor and drawing materials and techniques then keep this in mind.
 Mr. Kinstler is a wonderful writer and his sense of humor gives these books a light-hearted feeling which I thoroughly enjoyed.  Like many great art instruction books, this book will satisfy you if you're a beginner or advanced.  Both of these books are very reasonably priced and I guarantee that you'll find them very useful, inspirational and worth reading.