When I first arrived in Giverny, I started thinking about ways that I can differentiate my paintings from the iconic views that Monet painted. The last thing I want is to do any Monet-style copycat pictures; I want to do something unique and decided that one way to achieve that is by changing my viewpoint to get a variety of perspectives.
With that in mind, I've been developing this new Japanese bridge painting. The idea came from a sketch that I did as more of a panorama view. I eventually decided to do an oil study, but from the other side of the bridge and with less of a perspective angle. I liked the study and decided that it will work as a larger painting.
I did the underdrawing on the final canvas today so that I can begin painting tomorrow morning (with weather cooperating). I don't always do such an elaborate underdrawing, but this bridge has a very specific shape and I need to get the curvature correct before begin the painting. I feel like an architect or designer when I do work like this and it's a change since my process is usually more spontaneous.
It's hard to tell from the photo, but the final canvas is fairly large and will take some time to finish. Wish me luck!